The reflex of the historical cultural identity in the chinese-canadian novel “Disappearing Moon Cafe” through the use of the allusion

Authors

  • Lidibet Franco-Gámez Universidad de Guantánamo,
  • Rosa Mary Serret-Váquez Universidad de Oriente, Santiago de Cuba

Keywords:

culture, identity, history, literature, ethnic minorities, discourse, allusion.

Abstract

Canada is a multicultural medley, and this mixing of races, histories and cultures is revealed in literature, but even more in the literatures of ethnic minorities, among which stands out the Chinese Canadian one. Their literary products mirror the cultural hybridism of its community and history is the central theme of its creations. It is noticeable how most of Chinese Canadian writers start from the perspective of the reflex of its historical cultural identity and use all the necessary resources and strategies to show it. The main objective of this research is to do a literary discourse analysis that shows how Chinese Canadian historical cultural identity is reflected in SKY Lee’s novel Disappearing Moon Cafe through the stylistic device allusion.

References

Galperin, I. R. (1981). Stylistics. Moscow: Vyssaja Skola.

García Alonso, M. (2004). Modelo teórico para la identidad cultural. La Habana: Centro de Investigación y Desarrollo Juan Marinello.

Lee, S. (1990). Disappearing Moon Cafe. Vancouver, Toronto: Douglas & McIntyre.

Ortiz, F. (1940). Contrapunteo cubano del tabaco y el azúcar. La Habana: Editorial de Ciencias Sociales.

Zamora Fernández, R. (2000). Notas para un estudio de la identidad cultural cubana. En Estrada, A. V. (comp.), Pensamiento y tradiciones populares. La Habana: Centro de Investigación y Desarrollo Juan Marinello.

Published

2017-06-22

Issue

Section

Artículos

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