Trascending da-sein. breaks and continuities in the filmography of Ariagna Fajardo

Abstract

Ariagna Fajardo´s films has been responsible in a great way of the approach of TV Serrana to an anthropological visual discourse. This filmmaker has synthetized the aspiration of the institution of collecting the Da sein of reality in the mountains and added to the practice the ontological Project that compromises her. Such phenomenological stands allows her, through the representation of everyday life –existentia– to raise the question that interrogates for being, trespassing what is in front of our eyes and discover in the process the essentia behind the fact. Since her entrance in the contemporary audiovisual landscape, Fajardo films has matured. This research pretends a review of her most important films with the intention of proving the abilities of cinematic technique, and at the same time revealing the sharpness of this filmmaker in contrasting discourses of diverse origin.